>PLACEBO-CONTROLLED, RANDOMIZED, OBSERVER-BLIND, DOSE-FINDING STUDY TO EVALUATE THE SAFETY, TOLERABILITY, IMMUNOGENICITY, AND EFFICACY OF SARS-COV-2 RNA VACCINE CANDIDATES AGAINST COVID-19 IN HEALTHY INDIVIDUALS
This means that some portion of the vaccines administered are actually just placebos.
Lol: https://owo.vg/pol/thread/518428886 >>518428886 (OP) I'm guessing your effects chain is something like five Metal Zones plugged in front of fourteen Fuzz Faces, plugged into a 1x6'' practice amp with the gain dimed.
they take specific pieces from the new testament and just a few snippets from the old testament (punishments, just the punishment part, not the why) and past them together to create the feminist religion.
kids took lots of related women watching over them together. this clan system was banned. by banning child brides.
It was a new thing. We just got done listening to justice and rust in peace. Hell, seasons in the abyss. This was more. Shocking at the time. They went beyond anyone.
Typical Increase: Songs were often played 10–20% faster live. For example:
“Exciter” (studio: ~4:30) could clock in around 4:00 or less live.
“Freewheel Burning” and “Rapid Fire” were noticeably more aggressive and brisk on stage.
Live Albums as Evidence:
Unleashed in the East (1979) is famous for its faster, heavier renditions. Tracks like “Running Wild” and “Sinner” are significantly quicker than their studio versions
.
Priest…Live! (1987) also features tempo boosts, especially on “Breaking the Law” and “Heading Out to the Highway,” which include extended solos and faster pacing
.
Name:
Anonymous2025-10-12 3:57
Judas Priest’s 1980s live concerts were consistently faster and more aggressive than their studio recordings, with tempo increases ranging from 10–20% on key tracks. These performances showcased the band at their peak, blending speed, precision, and raw energy. ⚡ How Much Faster Were 1980s Live Performances?
During the 1980s, Judas Priest’s live renditions of songs like “Freewheel Burning,” “Breaking the Law,” and “Hell Bent for Leather” were played 10–20% faster than their studio versions. This tempo boost added urgency and excitement, especially in large festival settings.
“Freewheel Burning” (studio BPM ~211) was pushed to ~246 BPM live in Dortmund 1983, a 16.6% increase. Watch [Judas Priest - Live in Dortmund 1983/12/18
to hear the speed and intensity.
“Breaking the Law” (studio BPM ~164) was played at ~176 BPM during the US Festival 1983, a 7.3% increase. See [Judas Priest - Live in San Bernardino 1983/05/29
for a powerful example.
“Hell Bent for Leather” (studio BPM ~140) often reached ~160 BPM live, especially in Denver 1980. Check out
for a classic performance.
🥁 Why Were They Faster?
Live Adrenaline: The band fed off massive crowds, especially at festivals like US Festival and Monsters of Rock.
Dave Holland’s Drumming: While not as fast as later drummer Scott Travis, Holland kept a tight, driving rhythm that pushed tempos live.
Metal Culture: Speed and aggression were hallmarks of 1980s metal, and Priest leaned into it on stage.
🎸 Best Examples of 1980s Speed and Power
Features “Electric Eye,” “Screaming for Vengeance,” and “Victim of Changes” played with blistering speed and precision.
A tight, aggressive set with standout performances of “Metal Gods” and “The Ripper.”
Early British Steel tour show with faster takes on “Living After Midnight” and “Steeler.”
A fan-favorite anthem played with extra bite and tempo.
🎤 What Made the 1980s Peak?
Setlists packed with classics: “Sinner,” “Victim of Changes,” “The Ripper,” “Beyond the Realms of Death.”
Rob Halford’s vocals: Soaring and aggressive, perfectly matched to the faster tempos.
Crowd energy: Massive audiences at festivals and arena tours pushed the band to perform harder and faster.
Judas Priest’s 1980s concerts weren’t just faster—they were ferocious. Let me know if you want BPM breakdowns for specific songs or comparisons across different 1980s tours.
